I've been a Debian user since 1999, and a Debian developer since 2000. Given recent events it's worth thinking about why that that is, and why I haven't switched to something else in the past quarter century.
My first Linux distro was Slackware, off a CD in a book, some time in the mid 90s. After starting university I ran SUSE for a while, then moved to RedHat (both back before they had commercial variants significantly different to what was available freely). The main motivation for switching was package management; I was running a machine at home and a machine at university, and keeping track of what was installed on each, and what versions, was getting annoying with Slackware. Most of the folk I knew were running RedHat, and I mostly played with SUSE because I'm contrary before realising it was different enough that I couldn't easily make use of 3rd party RPMs.
I came to Debian via friends in Cambridge, who spoke highly of it. The first Debian machine I installed was fourier, the initial host for Black Cat Networks, and I never looked back.
(For additional context I should also point out I have contributed, in the distant past, to, and run, OpenWRT, OpenEmbedded, and FreeBSD.)
I'd like to try and work out what is it I get from Debian that I'd need in anything else. Originally I tried to order the requirements in some sort of priority, but it's sometimes hard to work out what I'd drop if I had to compromise somewhere, so it's a somewhat loose ordering.
- Stable releases, with security support
- I run Linux in lots of places, from remote servers/VMs, to my house router, to my desktop/laptop. Some of those I don't want to be updating regularly with new software releases, I need something I can be sure is going to keep working, but will get necessary security + critical updates. A rolling distro that provides security via the latest upstream release doesn't provide that guarantee. Equally there need to be regular stable releases, or things become too stale. (The one time I considered moving away from Debian was during the 3 year Sarge / 3.1 release cycle. I think if things hadn't improved I'd have jumped ship to Ubuntu at the time.)
- A good selection of packages
- One of the reasons I moved from RedHat to Debian was the wide range of packages available as part of the standard OS. Pulling it all into the disto helps with quality control, compared to random 3rd party packages. A centralised bug system and repository is a win too. Perhaps packages at all is something I should list, but I take it as a given if you're running a distro. I need to know what I have installed on my machine, what version that software is, what files it owns, and what it depends on.
- Free Software
- This is important to me. I'll make pragmatic compromises about software I run on my systems if it makes sense, but I want to start from a place that does not require anything non-free. I've run a company on Debian, and I've worked on numerous products that ran it under the hood. The DFSG gives me confidence I can do that.
- Smooth upgrades
- Debian's ability to upgrade a system smoothly is one of the reasons I first moved to it. The first upgrade I did was remotely on a machine sitting on a 2Mb/s leased line. I was nervous doing the reboot at the end, but it came back fine. At the time the equivalent procedure with RedHat involved rebooting in the OS installer to do the upgrade.
- I know things have moved on since then, and really it should all be scripted, and machines should be cattle not pets, but for personal use I run a small enough number of machines that having the upgrade path between releases is a must have.
- Community
- The original pull of the Debian community was the knowledge I could get involved, and upload packages that were missing that I was using. That's how I first got involved, uploading things Black Cat used, which made life easier for us in the long run. I don't have time to maintain all the software I use myself, and I don't want to be beholden to a commercial entity to do so for me, so a distribution that allows me to help out where I can as part of the community seems to me to be the right way to do things.
- Architecture support
- Perhaps less important, especially when I started using Debian, but these days I have amd64, arm64, armhf, and riscv machines. Everything except for the risvc box is doing something useful, and would need replaced if I couldn't keep running it, and I expect RISC-V to transition into that state in the next few years as the hardware improves.
- Binary packages
- I ran a FreeBSD desktop for some time. It might have been the way I was holding it, but binary package installs were generally not something reliable, especially after the initial install, and I ended up building things from ports from source quite often. That worked incredibly well (I used to think people who raved about Gentoo really should just go do it properly and use FreeBSD), but I don't want to spend time compiling things, especially on some of my machines (my router should not need a compiler, for example).
Ultimately I don't want to have to actively think about the Linux distribution I use. Debian has mostly given me that; I know it will generally be suitable for most environments I want to use it in (embedded situations where OpenWRT or OpenEmbedded are better choices being the exception, but that's less frequent these days), and I can rely on getting timely security updates (thanks to all those who work on that within Debian!). I'm not sure there's currently an alternative that would suit my needs? I'd love to hear if there's something I should look at, even if I'm not necessary making a move just yet!
31 Aug 2026 5:20pm GMT
Review: The Hands of the Emperor, by Victoria Goddard
| Series: |
Lays of the Hearth-Fire #1 |
| Publisher: |
Underhill Books |
| Copyright: |
January 2019 |
| ISBN: |
1-988908-15-9 |
| Format: |
Kindle |
| Pages: |
739 |
The Hands of the Emperor is a self-published political fantasy novel. It's the recommended first book (although not the first published book) in a complicated set of interrelated series. I was not able to definitively confirm that Underhill Books is Goddard's self-publishing press name, but the press does not appear to have an Internet presence apart from Goddard's books and her books appear to be using the standard self-publishing channels.
Cliopher Mdang is the personal secretary of the last emperor of Astandalas, the magical heart of Zunidh, a man worshiped as a god. The emperor's word is absolute, his magic supports the health of the entire world, and he cannot be physically touched without risking physical damage and severe political and religious punishment. Cliopher is one of the emperor's closest associates, but the distance between them is still vast. It therefore represents a terrifying and dangerous breach of etiquette for him to suggest the emperor may enjoy a vacation on a tropical island near Cliopher's remote home. The emperor's acceptance of the invitation is even more startling.
The emperor has opinions about his life as the emperor that no one had guessed. Cliopher has not assimilated as completely into the bureaucratic machinery of the empire as it first may appear. And Cliopher's family have vastly misunderstood the nature of his role in the emperor's government.
I find the marketing blurb for this book unfortunate since, at least to me, the emphasis on physical touch and intimacy implies that The Hands of the Emperor is a romance novel or at least has significant romantic elements. I've been aware of this book for years but put off reading it because I wasn't quite in the mood for that story. This is not a romance novel; there is no romance in this book whatsoever. It is a political fantasy, both in the sense that it is set in a secondary fantasy world with magic and (apparently) some form of interplanetary travel, and in the sense that it is a fantasy of governance.
When I say that this book blew up in certain corners of the Internet during the pandemic, I think you will still underestimate the passion of its advocates. I heard about this book constantly, in a way that reminded me of Kushiel's Dart and the time when fans of Jacqueline Carey would bring her up in every fantasy conversation, or when we created a Usenet newsgroup for The Wheel of Time mostly to get the voluminous conversations off of the regular SFF newsgroup. I'm one of those mildly contrarian people for whom that degree of enthusiasm is a little off-putting, which is another reason why I resisted buying a copy for years and only read it in 2026.
It's delightful, although also a bit embarrassing, when the book everyone was in love with turns out to be just as good as everyone said it was.
I adore stories about friendship, and this is one of the best stories about friendship that I've ever read. It is a very, very slow burn, but I also thought the first three quarters of the book was exquisitely paced. There were long sections where not very much was happening, and yet I couldn't put the book down because there was so much subtle character work just beneath the surface.
Almost all of the novel is told in tight third person from Cliopher's perspective, and I thought that was an excellent choice. Neither Cliopher nor the narrator comment on things that Cliopher finds obvious, which is both immersive and critical to the pacing. There are discoveries for the reader throughout the book, the sort of discoveries that make pieces fit together satisfyingly in retrospect, and the reader stays sufficiently ahead of the misunderstandings of Cliopher's friends and family that one also gets the joy of watching other people discover things that one figured out a hundred pages earlier.
It helps that I truly liked nearly everyone in this book. There are no real villains, only a few supporting characters whose role is to be irritating or corrupt. If you're looking for a lot of conflict and drama, you may want to save this book for a different mood, but if you're in the mood for a varied collection of fundamentally good characters working methodically through the complexities and obstacles of politics and social systems to improve the world, there are few books I would recommend more. Goddard achieves one of the hardest tricks of slow burns: steady forward progress that does not rely on reversals, misunderstandings, or the friendship equivalent of the third-act breakup. This book spends 700 pages building towards a climax that managed to be worthy of all 700 pages without ever annoying me with artificial obstacles, and that's quite a feat.
I've not said much about the details of the plot. There is one - it's not just character work - but I think this book benefits immensely from going in as blind as possible. I found the twists and turns and growing revelations so deeply satisfying that I don't want to rob any other reader of the experience.
The fantasy world-building is intriguing but a bit unsatisfying because it is so unexplained. We get a few details of the magic system, but since Cliopher has no magic, he isn't that interested in the details. There is a catastrophic magical event in the world background, and we learn some of the details of its practical effects, but the nature of the world before the cataclysm is so obvious to the characters that it's never explained. I'm not even certain that this civilization is interplanetary; that feels like the implication of how characters talk about multiple worlds, but the method of travel is left entirely undefined. This might be frustrating to some genre readers, but I personally enjoy books where the world-building is a bit mysterious. It's a good reason to read more of Goddard's books set in the same universe.
This was my favorite of the books I've read so far this year, but I do have one caution and a couple of caveats.
The caution is that Cliopher comes from an island culture based heavily on (I think) Polynesian cultures. That culture is very central to the story and is treated with considerable respect, but I still get a bit nervous when a Canadian author from Nova Scotia with an academic background in European medieval studies writes a story focused this deeply on a non-European culture. Nothing about her portrayal seemed off to me (although there is a very clunky and ham-handed scene about a different native culture that worries me), and for all I know she has family background or other connections to the culture she is borrowing from, but it's possible I missed serious problems.
The flip side of that caution is that I'm delighted to see a fantasy author drawing on a non-European culture, and I thought the clash of cultures was very well-handled.
The first caveat is that the story is very focused on good governance, but both the process and the details of that governance are not going to satisfy someone reading primarily for the politics. The policies and reforms are very standard 21st century progressive material that felt a bit out of place in a quasi-medieval world with magic and airships. Their implementation is not the point of the story, and is therefore heavily backgrounded, but that means Goddard barely mentions the inevitable practical implementation difficulties and does not discuss how they're overcome.
The world structure also means that Goddard can make use of the favorite cheat of political reformers in fiction: Absolute monarchy lets you enact a political agenda without having to do the hard and frustrating work of persuasion or political (or actual) warfare. This objection is not entirely fair because we do get some memorable scenes of persuasion, but the political portion of the plot is unrealistically devoid of setbacks or resistance that goes beyond token arguments.
Whether this will bother you will depend heavily on what parts of the book you'd rather focus on. I can see why this was such a popular pandemic read: The Hands of the Emperor is focused tightly on the joy of competent people fixing things and does not focus on the arguments, division, or polarization. The heart of the book is the friendship and characterization of some deeply admirable people, and the political reform is incidental background material. I suspect this is the right choice for readers who aren't political junkies, but I kept having the niggling objection that the politics felt a bit too pat and simplistic. Goddard stressed that the characters were investing considerable effort, but even still, it is not this easy to change the direction of a political system and idealistic plans usually do not work out this neatly.
The second caveat is that, as previously mentioned, I thought the pacing was excellent for about three quarters of the book. Goddard is building towards a grand climax, and I think she built a little too much and tried to make the climax a bit too grand and risked over-egging the pudding. That made the payoff feel a bit belabored to me. I still enjoyed it, and parts of it are wonderfully emotional, but I think the ending might have been stronger if Goddard had dialed Cliopher back just a little and tightened up the climax a touch. That said, this book fully commits to being a sprawling slow burn and that's part of its appeal, so it's probably better for Goddard to err in that direction than it would have been to cut short the denouement.
This is one of those books that I'm not sure would exist without self-publishing. It's a little too long, a little too political in the wrong ways, a little too devoid of the typical sorts of conflicts expected in a fantasy book, and too determined to be its own peculiar thing. I think it would scare off publishers. Unlike some self-published books, though, I didn't notice any obvious editing flaws or lack of polish. It's one of those glorious novels that is so very much its own type of story that it provides an experience that would be hard to replicate with another book.
I was so deeply satisfied by this book. It's a wish-fulfillment political fantasy full of diligent restraint and competence porn, so you have to be in the mood for that. This is not the book to read when you're feeling cynical, or are in the mood for action and high drama. But if you're in the mood for a long, slow, open-hearted story of friendship that offers the fantasy of giving truly good people enough power to be effective, I highly recommend this one.
Followed in the direct sequel sense by At the Feet of the Sun, but there is a very complex story progression in this world that I think I'd have to read all the other books to understand. This was such a satisfying and complete experience that I'm not in a hurry to figure out which Goddard book to read next, but I'm sure I'll be returning to this world at some point.
Rating: 9 out of 10
31 Aug 2026 3:11am GMT
